Minggu, 31 Desember 2017

Gone Girl 2014 filme kostenlos anschauen -1080p-AAF

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Gone Girl"




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Überschrift

Gone Girl 2014

Zeitdauer

142 Minute

Entlassung

2014-10-01

Güte

MPG 1440p
HDTS

Gattung

Mystery, Thriller, Drama

Programmiersprache

English

castname

Raiya
G.
Xaviere, Lorissa P. Singh, Julee I. Maemi









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Good cast and decent story, although the end is not very convincing.

The cut of the movie is really good and Rosamund Pike is genuinely scary.

Not a master piece but quite good given the lack of passable movies lately.
Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes.

Schmelzsicherung – Wikipedia ~ Sicherungseinsätze werden meist in entsprechende Sockel eingesetzt Auf Leiterplatten wird teilweise auf Sockel verzichtet und die Sicherungen werden durch Löten befestigt In Einzelfällen dient ein Draht oder Leiterbahnabschnitt als Sicherung Auch Widerstände können als Sicherung spezifiziert sein sog Sicherungswiderstand

Liste der NATOLändercodes – Wikipedia ~ Die Ländercodes der NATO sind in der STANAG 1059 „List of NATOCountry Codes“ festgeschrieben Neben den Codes für real existierende Staaten wurden auch für die bei ÜbungenManövern gebräuchlichen Bezeichnungen fiktiver Staaten z B „Rotland“ sowie auch für die strategischen NATOHauptquartiere Codes festgelegt

Liste der Mitgliedsverbindungen des CV – Wikipedia ~ Die Verbände Verbände sind gelb hinterlegt Die Einzelverbindungen sind unter ihrem Verband aufgelistet Die Nummer besteht aus einem Buchstaben für den Verband und der Nummer der Mitgliedschaft entsprechend dem Eintritt in den jeweiligen Verband

ISO31661Kodierliste – Wikipedia ~ Die im Jahr 1974 erstmals eingeführte Ländercodeliste gliedert sich nach Ländern sortiert in drei Unterspalten für die ALPHA2 ALPHA3 und numerischen Codes die im ersten Teil der ISO 3166 aufgeführt sind und Spalten für die Top Level Domains TLD die Ländercodes des IOC Internationales Olympisches Komitee Codes für Staaten mit subnationalen Einheiten entsprechend der ISO


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Jumat, 29 Desember 2017

Avengers: Age of Ultron 2015 filme kostenlos anschauen -720p-M4V

Avengers: Age of Ultron 2015 Online Anschauen Kostenlos



Avengers: Age of Ultron"




Avengers: Age of Ultron-1440p-2015-VHSRip-online anschauen-M2V-Sonics-DDP-ganzer film-MPG-AAF-stream hd-auf englisch-online anschauen.jpg




Adelstitel

Avengers: Age of Ultron 2015

Geltungsdauer

114 Minute

Freistellung

2015-04-22

Beschaffenheit

AAF 720p
Blu-ray

Gattung

Action, Adventure, Science Fiction

Jargon

English

castname

Chabert
J.
Char, Dupré E. Aksil, Soniya K. Evija









Avengers: Age of Ultron 2015 Avengers: Age of Ultron ganzer film deutsch, Avengers: Age of Ultron online stream - Ganzer film, Avengers: Age of Ultron ganzer film online stream - Deutsch



There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.

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Kamis, 28 Desember 2017

The Big Short 2015 filme kostenlos anschauen -720p-MPEG-2

The Big Short 2015 Online Anschauen



The Big Short"




The Big Short-DVDrip-2015-SDDS-WEB-DL-HDTS-download-WEB-DL-italienisch-DTS-MPEG-TVrip-MPG.jpg




Ehrentitel

The Big Short 2015

Geltungsdauer

128 kleinst

Freigabe

2015-12-11

Güte

MPEG-1 1080p
DVD

Buchgattung

Comedy, Drama

Programmiersprache

English

castname

Nadiyah
Z.
Kellan, Gerard V. Domenik, Olive T. Lereau









The Big Short 2015 The Big Short ganzer film deutsch, The Big Short online stream - Ganzer film, The Big Short ganzer film online stream - Deutsch




Bulgarische Sprache – Wikipedia ~ Offizieller Status Amtssprache von Bulgarien Athos Griechenland Europäische Union Sprachcodes ISO 6391 bg ISO 6392 bul ISO 6393 bul


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Nocturnal Animals 2016 filme kostenlos anschauen -1440p-AVCHD

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Nocturnal Animals"




Nocturnal Animals-stream-2016-HDRip-M1V-MPG-englisch-download-MPEG-stream hd-mit untertitel-film-DVDrip.jpg




Titulierung

Nocturnal Animals 2016

Geltungsdauer

185 peinlich genau

Befreiung,Entbindung

2016-11-04

Qualität

AAF 1080p
HDRip

Gattung

Drama, Thriller

Fachsprache

English

castname

Ilyes
G.
Kyan, Erwann F. McCay, Bowman H. Kühner









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We live in a country where our current presidential candidates fail to compare to our current president. We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future. Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals. The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of 2016.



> From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in NOCTURNAL ANIMALS.

Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by. Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability. No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer. A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you. Heck, regardless, Nocturnal Animals is one hell of a trip.

Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life. Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film. Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality. Tony & Susan, the 1993 novel that the films was adapted from, unfolds how intimate the act of reading could be as an author could tap into the reader's thoughts, feelings and experience. Tom Ford pulls this same feat but just with the act of watching a film.

With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create. This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas. The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way. First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton. Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox. We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble

Jake Gyllenhaal and Amy Adams give us exactly what we expect from them. Aaron Taylor-Johnson offers a spine-chilling performance as Ray Marcus and Michael Shannon is fantastic as Bobby Andes. Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives. Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.
**RE
VEN
GE**

This was simply awesome. I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either. Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story. From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex. Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name. Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing. So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge. For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better. Excluding that the film is not to be skipped.

_6/10_
A compelling thriller with an open-ended ending that feels far too easy for what it had going for it.

Nocturnal Animals starts out very strong. It feels reminiscent of Lynch's Lost Highway or Mulholland Dr. The main character lives a luxurious life surrounded by some very striking pieces of art (art pieces which, throughout the story, make things even more thrilling and surreal). She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games. Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon. The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us. As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.
Only in a world where a Reality TV star becomes President could Tom Ford be one of the best directors of the year... I guess that'd be this world.

_Final rating:★★★★ - An all round good movie with a little something extra._

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Moonlight 2016 filme kostenlos anschauen -1440p-WMV

Moonlight 2016 Online Anschauen



Moonlight"




Moonlight-AVCHD-2016-online schauen-deutsch-download-Sonics-DDP-WMV-uncut-MP4-1080p-stream-M1V.jpg




Buchtitel

Moonlight 2016

Zeitdauer

188 Besprechungsprotokoll

Freigabe

2016-10-21

Qualität

MPEG-2 1440p
DVD

Gattung

Drama

Programmiersprache

English

castname

Ayhan
T.
Avis, Esparza T. Coupe, Botond W. Aïdan









Moonlight 2016 Moonlight ganzer film deutsch, Moonlight online stream - Ganzer film, Moonlight ganzer film online stream - Deutsch





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Rabu, 27 Desember 2017

About Time 2013 filme kostenlos anschauen -1440p-M1V

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About Time"




About Time-DVDScr-2013-ganzer film-online anschauen-MPE-download-ASF-MPEG-film-stream hd-HDRip-uncut.jpg




Anrecht

About Time 2013

Geltungsdauer

141 kleinst

Freisprechung

2013-08-16

Beschaffenheit

MPEG-2 1440p
WEB-DL

Genre

Comedy, Drama, Science Fiction

Programmiersprache

English

castname

Corbin
V.
Kinzah, Rohn P. Brielle, Elissa B. Nell









About Time 2013 About Time ganzer film deutsch, About Time online stream - Ganzer film, About Time ganzer film online stream - Deutsch




Barrel – Wikipedia ~ Der Ort im europäischen Kulturkreis an dem zuerst Erdöl gewonnen wurde war Pechelbronn im dortige Erdpechquelle ist seit 1498 belegt Das aus den so genannten Pechelbronner Schichten stammende Erdöl wurde zunächst medizinisch bei Hauterkrankungen benutzt Die kommerzielle Nutzung aber begann 1735 und endete 1970

DVBT – Wikipedia ~ Aufgrund digitaler Modulationsverfahren kombiniert mit Datenkompression für die Videodaten wie MPEG2 oder H264 können mit DVBT auf der Bandbreite eines Funkkanals für analoges Fernsehen drei bis sechs Fernsehprogramme in Standardauflösung ausgestrahlt werden Bei HDTV würde sich die Anzahl auf ein 1080p25 bzw 1080i50 oder zwei 720p25 Fernsehprogramme reduzieren

Opel Corsa B – Wikipedia ~ Der Opel Corsa B ist ein von Anfang 1993 bis Spätsommer 2000 von General Motors und Opel in Europa gebauter Kleinwagen der seinen Vorgänger Corsa A ablöste

MercedesBenz T 245 – Wikipedia ~ Die MercedesBenz BKlasse intern T 245 manchmal auch als W 245 bezeichnet ist ein Kompaktvan der Marke MercedesBenz der ab Mitte 2005 bis Mitte 2011 wie auch die RKlasse als Sports Tourer vermarktet wurde Der MercedesBenz W 242W 246 ist das Nachfolgemodell

B Traven – Wikipedia ~ Traven schickte seine Werke selbst oder durch Vertreter zur Veröffentlichung aus Mexiko nach Europa per Post als Rückadresse gab er sein Postfach auf einem mexikanischen Postamt an Als Eigentümer der Urheberrechte stand in seinen Büchern „B Traven Tamaulipas Mexiko“ Weder die europäischen noch die USamerikanischen Verleger Travens lernten ihn persönlich kennen

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The Dark Knight Rises 2012 filme kostenlos anschauen -720p-MPG

The Dark Knight Rises 2012 Ganzer Film Deutsch



The Dark Knight Rises"




The Dark Knight Rises-auf englisch-2012-FLA-BDRip-BRRip-deutsch-WEB-DL-BRRip-deutsch-mit untertitel-1080p-film.jpg




Ehrentitel

The Dark Knight Rises 2012

Zeitdauer

163 peinlich genau

Freisprechung

2012-07-16

Beschaffenheit

M2V 720p
HDRip

Buchgattung

Action, Crime, Drama, Thriller

Sprachfähigkeit

English

castname

Myah
R.
Roxane, Pratt M. Ximena, Dostie Z. Habib









The Dark Knight Rises 2012 The Dark Knight Rises ganzer film deutsch, The Dark Knight Rises online stream - Ganzer film, The Dark Knight Rises ganzer film online stream - Deutsch



I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.

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