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Rechtsanspruch	The Equalizer 2014
Zeitdauer	146 minuziös
Aussetzung	2014-09-24
Eigenschaft	AAF 720p WEBrip
Gattung	Thriller, Action, Crime
Sprachfähigkeit	English
castname	Biba T. Meslin, Ellis I. Rishay, Barbara P. Michela

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Watched the movie last night, kept me interested although somewhat predictable plot. Big bad guy, quiet good guy, helpless victims, bad guy gets his. Overall I did like the movie, but then again I like anything Denzel is in.
For me this was a very entertaining vigilante flick. Denzel Washington is excellent in his role as a cold and calculating yet compassionate vigilante. The movie is slower than a lot of movies in this genre but that does not make it boring and when the action starts it is measured (for a movie in this genre) and well done.

Although there is a red thread, started by McCall’s first act of vigilantism, running through the movie he also performs a few on the side jobs as well during the movie. I like the vigilante stuff so for me this was some nice fillers to round off the movie.

The main thread pitches McCall against a real psychopathic Russian enforcer. No one can say that this movie did not have a well done bad guy. The role is quite well played. The guy is creepy to say the least. Not to mention violent of course but then so is McCall when the time is right.

One thing I liked with this movie is that McCall it is not one of the usual run around, look dangerous and clobber the bad guys in periodic outbursts of violence stereotypes. McCall is always calm, calculating, behaving intelligently and the baddies almost never realizes the mistake they just did until it is quite a bit too late.

Sure, the capacity of McCall to clobber the bad guys, usually without getting hurt himself, is bordering on superhuman but what the heck, it is fiction after all. Totally realistic movies are rarely fun, at least not movies of this genre. Also, the end fight where the baddies are more or less running around aimlessly and get taken out could have been better. Especially since the Russian mobster had shown quite a bit of intelligence up until that point. Having said that, I did like that it did not degenerate into the usual 20 minute shoot anything that moves nonsense. McCall is continuing his cold and calculating rampage through the unfortunate individuals on the wrong side and the various ways of disposing of them are rather creative.

On the whole I found this to be a rather entertaining movie. In one sense it is the usual vigilante stuff, which I happen to like, but in one sense it is not your normal run of the mill vigilante movie thanks to Denzel Washington’s cold, calculating and intelligent portrayal of McCall.
Expected pretty good, got very good. Can't call _The Equaliser_ a perfect movie, but I love me a mixed bag of content like this.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

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Rechtsanspruch	Arrival 2016
Zeitdauer	188 winzig
Freigabe	2016-11-10
Eigenschaft	MP4 1080p BDRip
Buchgattung	Drama, Science Fiction, Mystery
Programmiersprache	普通话, English, Pусский
castname	Ivaylo U. Brendan, Dagan L. Paolo, Zeren U. Briggs

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Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.

Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.

The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication.

_Final rating:★★★½ - I strongly recommend you make the time._
**It was a perfect contact, but troubled at the communication.**

The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.

The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end.

When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts.

To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself.

_7/10_
"I have a brilliant idea for a movie so what we do is we watch scientists step-by-step learn to communicate with an alien species"

"That's awesome but we need an emotional component or audiences will be bored"

"Okay the main scientist's daughter is dead and we show clips of that every couple minutes"

"Greenlight"
Arrival is an attempt to take a more realistic approach to how an alien visitation would play out, especially within global politics. The main thrust is that Amy Adams has to find out what the aliens want before any other country can fuck it up and they did a great job in casting Amy Adams. I'm not usually any more than indifferent of Adams, but she does a great job here with what she's given. Jeremy Renner does as good as Jeremy Renner can do with a character that isn't just stoic bad-ass. I like Renner, but unlike other alien films, Arrival isn't an "alien invasion" movie where he can run around shooting stuff and making quips, so I'm not sure he was the best choice. The only other actor of note is Forrest Whitaker, who does fine, but he has this stupid accent that has no purpose. I had to watch interviews with him to make sure he wasn't just doing an accent every other time and this was his real voice. No, he does some unnatural accent that really draws you out of the film because there is no reason for it. It's not a foreign accent or a regional one (or at least not one that I've ever heard), it's just some made up shit he does for no reason. The plot is fine for where they are trying to go with the story. Personally, there are some tropes that I really fucking hate and Arrival rides on one of the ones I hate the most. I won't say what it is, because Arrival really should not be spoiled, but subjectively it was a stupid bullshit play and it makes things unnecessarily confusing. Arrival is about the aliens coming to Earth, but that serves more as the gasoline that fuels the very human drama that is very dialog driven and much more about Amy Adams than any of the aliens. I'm unclear about how long the movie takes place, but once they establish the motive of the movie, it feels cheap to skip a huge chunk of time and give us a montage of what happens instead of keeping the flow of progression. The movie takes place mostly in Montana and we get some beautiful scenery and the sets are all great. The cinematography has some interesting ideas and they use shots and colors to enhance the plot. not just document it. Hearing the comparisons to Interstellar, I was afraid of how arrogant, indulgent, and pretentious Arrival might be and while I understand now what they were trying to convey with the comparison, Arrival is none of those things. Arrival doesn't pretend that it's more than it is. There are a few story that keep my personal score from going beyond a four, but I don't see how anyone who watches Arrival knowing what kind of movie Arrival is could give it much less. If you put on Arrival expecting Mars Attacks, Alien, Independence Day, or any other sci-fi spectacle films you are going to be disappointed, Arrival is much more of a drama. Sure, it is technically a sci-fi because aliens, but that's not the drive of the film. If you choose to watch Arrival with the understanding that it can be slow and aggravating and has none of the flash and awe of a typical Sci-Fi, but replaces those with authentic characters and drama, don't think you will be disappointed.

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Name	Her 2013
Geltungsdauer	128 Minute
Freilassung	2013-12-18
Eigenschaft	M2V 1080p WEB-DL
Buchgattung	Romance, Science Fiction, Drama
Fachsprache	English
castname	Sankavi J. Viran, Prerna T. Déziel, Hala L. Ethen

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The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**

The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.

Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?

Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.

The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.

Kantor – Wikipedia ~ Als Kantor lateinisch cantare – singen cantor – Sänger bezeichnet man den Vorsänger oder den Chorleiter im n gibt es im Judentum wie auch im großer Bedeutung ist die Rolle des Kantors oder der Kantorin in den orthodoxen Kirchen bzw den mit Rom unierten Ostkirchen die in byzantinischer Tradition stehen da hier in der Liturgie viele Kontakien oder

Besoldungsordnung R – Wikipedia ~ Die Besoldungsordnung R BesO R beinhaltet die Besoldungsgruppen R 1 bis R 10 der Richter und Staatsanwälte in Deutschland Höhe und Zusammensetzung der Besoldung ist in den Bundesländern teilweise unterschiedlich ausgestaltet da das Besoldungsrecht im Rahmen der Föderalismusreform für ihre Bediensteten auf die Länder übergegangen ist Die Besoldung der Bundesrichter richtet sich

Absorber – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

BMW R 100 R – Wikipedia ~ Die BMW R 100 R ist ein Motorrad der Bayerischen Motoren Werke AG BMW Motorrad Deutschland Das Naked Bike war vorwiegend für den nordamerikanischen Markt konzipiert Bei der Sonderausgabe der „Classic“Serie von BMW wurden Anfang der 1990erJahre ein letztes Mal luftgekühlte ZweiventilerBoxermotoren wurde auch ein kleineres Schwestermodell R 80 R angeboten

BMW R 1150 R – Wikipedia ~ Die BMW R 1150 R ist ein unverkleidetes Motorrad des Fahrzeugherstellers alle Modelle der RReihe wird das Naked Bike von einem Boxermotor mit zwei Zylindern angetrieben Der Roadster hat mehrere bauähnliche Schwestermodelle wie dem ReiseSportler R 1150 RS und dem ReiseTourer R 1150 RT mit weitestgehend identischem Motor jedoch anderer Verkleidung und FahrwerksAuslegung

BMW R 1200 R – Wikipedia ~ Die BMW R 1200 R ist ein Motorrad des Fahrzeugherstellers Roadster wurde am 7 Juli 2006 auf dem tionalen BMW Motorrad Bikermeeting in GarmischPartenkirchen erstmals als Nachfolger der BMW R 1150 R vorgestellt und ist technisch weitgehend identisch mit dem Sporttourer BMW R 1200 ST und dem ReiseTourer BMW R 1200 RT jedoch ohne Verkleidung

RéaumurSkala – Wikipedia ~ Die RéaumurSkala in Grad Réaumur Einheitenzeichen °Ré °Re °Réaumur eingeschränkt auch °R als Einheit zur Messung der Temperatur wurde 1730 vom französischen Naturforscher RenéAntoine Ferchault de Réaumur eingeführt Grad Réaumur ist keine SIEinheit Bezugspunkte der RéaumurSkala sind der Schmelzpunkt von Eis 0 °Ré und der Siedepunkt von Wasser 80 °Ré bei

BMW R 45 – Wikipedia ~ Die BMW R 45 ist ein MittelklasseMotorrad von BMW mit Boxermotor das von 1978 bis 1985 gebaut wurde 1979 hatte es die R 45 in der 27PSKlasse an die Spitze der meistverkauften Motorräder in Deutschland geschafft Bis zur Modellpflege 1980 waren 15905 R 45 hergestellt worden bis zum Ende der Bauzeit 28158 Maschinen dieses Typs

BMW R 26 – Wikipedia ~ Vorgängerversion Der Vorgänger der R 26 war das Modell R 253 mit 9 kW Nennleistung Teleskopgabel und ihr unterscheidet sich die ab 1955 gebaute R 26 durch einen stärkeren Motor und einen lig ist das hohe Gewicht der Maschine in Verbindung mit der trotz Steigerung verhältnismäßig geringen Leistung

BMW R 71 – Wikipedia ~ Geschichte Auf der Automobilausstellung in Berlin präsentierte BMW am 18 Februar 1938 mit den Modellen R 51 R 61 R 66 und R 71 eine neue Baureihe von großvolumigen Motorrädern mit Hinterradfederung Entwicklung BMW hatte in einem Fahrwerk vier Motorvarianten – R 51 R 61 R 66 und R 71 – verwirklicht und damit von 500 bis 750 cm³ vier Motorräder in verschiedenen Klassen geschaffen

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Adelstitel	Avatar 2009
Geltungsdauer	171 sehr klein
Freisetzung	2009-12-10
Qualität	DTS 1440p Blu-ray
Genre	Action, Adventure, Fantasy, Science Fiction
Jargon	English, Español
castname	Distel S. Eyden, Nanon A. Eaton, Raissa N. Esteban

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Honda SC 45 – Wikipedia ~ Die Honda SC 45 ist ein Motorradmodell der Kategorie SupersportlerSuperbikes des japanischen Herstellers Modell wurde von 2000 bis 2001 als VTR 1000 SP1

Triumph TR6 – Wikipedia ~ Der Triumph TR6 ist ein von 1968 bis 1976 produzierter Roadster des britischen Autoherstellers seines guten PreisLeistungsVerhältnisses verkaufte sich der TR6 über 94600 Mal Geschichte Der Triumph TR6 wurde 1968 vorgestellt

Aprilia RSV 1000 R – Wikipedia ~ Die Aprilia RSV 1000 R ist ein als Supersportler konzipiertes Motorrad des italienischen Herstellers Aprilia Die RSV 1000 R trat im Jahr 2004 mit umfangreichen Modifikationen am Motor und Aussehen die Nachfolge der RSV Mille an Zusätzlich wurde das Motorrad in der Standardversion als Modell R und als Spitzenmodell Factory mit zahlreichen Teilen aus kohlenstofffaserverstärktem Kunststoff

Scham und Schuldkultur – Wikipedia ~ Die Begriffe Schamkultur und Schuldkultur bezeichnen einander gegenübergestellte Konzepte die Kulturen danach unterscheiden ob diese sich eher äußerer oder innerer Instanzen für den Umgang mit Fehlverhalten zur Konfliktregulierung bedienen Die Gegenüberstellung der Schamkultur die vornehmlich dem Nahen und Fernen Osten zugeschrieben wird und Schuldkultur die Teilen der westlichen

Freikirchen in Österreich – Wikipedia ~ Die Freikirchen in Österreich FKÖ sind seit 2013 eine anerkannte Religionsgemeinschaft in Österreich und bestehen aus fünf freikirchlichen Bü Freikirchen praktizieren die Gläubigentaufe lehnen also die Taufe von Kleinkindern ab Ihnen gehören ungefähr 20000 Menschen in 160 Gemeinden an

1 Brief des Paulus an die Korinther – Wikipedia ~ Als Autoren werden zu Beginn des Briefes Paulus von Tarsus und sein Begleiter Sosthenes angeführt 1 Kor 11 LUTIm weiteren Verlauf redet Paulus die Gemeinde dann aber durchwegs in der IchForm an beginnend mit 1 Kor 14 EU so dass Paulus als der eigentliche Verfasser des Briefes seiner Verfasserschaft gibt es unter Theologen keinen Zweifel

Kami – Wikipedia ~ Allgemein bezieht sich das Wort ‚Kami‘ in erster Linie auf die verschiedenen Kami des Himmels und der Erde in den japanischen Klassikern und die Geister die in ihren Schreinen eingeschreint sind und unnötig zu sagen daß es sich auch auf Menschen bezieht sogar auf Vögel und Tiere Gras und Bäume Meere und Berge – und alles sonst was überragende und außergewöhnliche Macht

Videotechnik – Wikipedia ~ Die Videotechnik lateinisch video ‚ich sehe‘ von videre ‚sehen‘ kurz Video genannt umfasst die elektronischen Verfahren zur Aufnahme Übertragung Bearbeitung und Wiedergabe von bewegten Bildern sowie ggf des Begleittons siehe Audio Dazu gehören ferner die eingesetzten Geräte wie Videokamera Videorekorder und Bildschirm Aber auch die rein digitale Verarbeitung optischer

Citroën C4 – Wikipedia ~ Modellpflege Nachdem seit dem Verkaufsstart im Herbst 2004 weltweit über 900000 Modelle des C4 verkauft worden waren stellte Citroën am 26

Zweiquellentheorie – Wikipedia ~ Die Zweiquellentheorie ist eine literarkritische Hypothese zur Frage der Entstehung der synoptischen kt der Zweiquellentheorie ist die Annahme dass die Evangelisten Matthäus und Lukas zwei Quellen verwendet haben nämlich das Markusevangelium und eine nicht erhaltene erschlossene Quelle die so genannte Logienquelle abgekürzt Q Neben diesen beiden Hauptquellen hätten

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Name	The Lobster 2015
Zeitdauer	194 kurzer Entwurf
Aussetzung	2015-07-10
Eigenschaft	WMV 1440p BRRip
Genre	Thriller, Comedy, Drama, Romance, Science Fiction
Ausdrucksweise	English, Français
castname	Yisrael Q. Hanan, Talya M. Christ, Swann T. Salif

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> Another peculiar dystopian tale set in the future.

From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer.

The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale.

Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness.

7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well.

I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first.

The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it.

★★★★

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Hummer – Wikipedia ~ Um den Bestand zu schützen dürfen angelandete Hummer bestimmte und regional unterschiedliche Mindestlängen nicht unterschreiten Etwa in Massachusetts wo eine CarapaxLänge von mindestens 3 14 Zoll ca 8 cm vorgeschrieben ist In SchleswigHolstein beträgt die Mindestlänge inklusive Rostrum 11 cm Der Fangertrag lag 2009 bei 100000 t des Amerikanischen Hummers und bei etwa 4500 t

Globster – Wikipedia ~ Als Globster bezeichnet man große knochenlose und gummiartige Kadaver die an verschiedenen Stellen des Meeres an den Strand gespült heute konnte nicht immer geklärt werden worum es sich handelte In einem Fall wurde von Walblubber ausgegangen allgemein könnte es sich um Walkadaver oder deren Überreste handeln

Giorgos Lanthimos – Wikipedia ~ Leben Lanthimos wurde in Athen geboren und lernte an der Stavrakos Film School das Regiehandwerk In den 1990ern war er Regisseur bei verschiedenen Videos für griechische Tanztheater sowie für Werbefilme Musikvideos und experimentelle Theaterstücke

Amerikanischer Hummer – Wikipedia ~ Der Amerikanische Hummer Homarus americanus auch Nordhummer oder MaineHummer genannt ist eine Art der Zehnfußkrebse aus der Familie der Hummerartigen Nephropidae

The B52s – Wikipedia ~ The B52s ist eine USamerikanische Rockband aus Athens 2008 hieß die Band The B52’s

Karl Heinz Willschrei – Wikipedia ~ Leben und Wirken Willschrei wurde bereits 1942 Halbwaise sein Vater fiel im Krieg Er wuchs mit der Mutter in einem Arbeiterviertel von Essen auf Nach dem Abitur studierte er in München und Wien Theaterwissenschaft Germanistik Philosophie und Zeitungswissenschaft 1965 promovierte er mit einer Arbeit über „Die poetischen Gattungen und ihr Verhältnis zur Bühne“

Sfogliatelle – Wikipedia ~ Sfogliatelle sfɔʎʎaˈtɛllɛ von italienisch sfoglia Blätterteig Singular Sfogliatella ist eine italienische Gebäckspezialität aus Neapel Das Gebäck stammt aus dem Kloster Santa Rosa in der Nähe von Salerno und besteht in der heutigen Form aus einer kegelförmigen Blätterteigtasche mit einer süßen Ricottafüllung mit Zimt und Orangenblütenaroma

Tilli Breidenbach – Wikipedia ~ Leben Tilli Breidenbach wuchs in Köln auf wo sie nach dem Abitur zunächst Germanistik Romanistik und Kunstgeschichte studierte An der Schauspielschule der Kölner Bühnen erlernte sie schließlich den Schauspielberuf Nach dem Zweiten Weltkrieg gehörte sie u a zum Ensemble des Staatstheaters Darmstadt zwischen 1948 und 1950 spielte Breidenbach am Landestheater in Kiel Engagements in

Nicholas Brendon – Wikipedia ~ Leben Schultz spielte während der Highschool Jahr nach dem Abschluss musste er jedoch seine Karriere als ProfiBaseballer wegen einer Armverletzung beenden

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Titel	Avatar 2009
Geltungsdauer	196 Sitzungsprotokoll
Abgabe	2009-12-10
Beschaffenheit	MPEG-1 1080p WEB-DL
Buchgattung	Action, Adventure, Fantasy, Science Fiction
Sprache	English, Español
castname	Beale W. Luana, Thierry N. Kemp, Brychan V. Javani

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Honda SC 45 – Wikipedia ~ Die Honda SC 45 ist ein Motorradmodell der Kategorie SupersportlerSuperbikes des japanischen Herstellers Modell wurde von 2000 bis 2001 als VTR 1000 SP1

Triumph TR6 – Wikipedia ~ Der Triumph TR6 ist ein von 1968 bis 1976 produzierter Roadster des britischen Autoherstellers seines guten PreisLeistungsVerhältnisses verkaufte sich der TR6 über 94600 Mal Geschichte Der Triumph TR6 wurde 1968 vorgestellt

Aprilia RSV 1000 R – Wikipedia ~ Die Aprilia RSV 1000 R ist ein als Supersportler konzipiertes Motorrad des italienischen Herstellers Aprilia Die RSV 1000 R trat im Jahr 2004 mit umfangreichen Modifikationen am Motor und Aussehen die Nachfolge der RSV Mille an Zusätzlich wurde das Motorrad in der Standardversion als Modell R und als Spitzenmodell Factory mit zahlreichen Teilen aus kohlenstofffaserverstärktem Kunststoff

Scham und Schuldkultur – Wikipedia ~ Die Begriffe Schamkultur und Schuldkultur bezeichnen einander gegenübergestellte Konzepte die Kulturen danach unterscheiden ob diese sich eher äußerer oder innerer Instanzen für den Umgang mit Fehlverhalten zur Konfliktregulierung bedienen Die Gegenüberstellung der Schamkultur die vornehmlich dem Nahen und Fernen Osten zugeschrieben wird und Schuldkultur die Teilen der westlichen

Freikirchen in Österreich – Wikipedia ~ Die Freikirchen in Österreich FKÖ sind seit 2013 eine anerkannte Religionsgemeinschaft in Österreich und bestehen aus fünf freikirchlichen Bü Freikirchen praktizieren die Gläubigentaufe lehnen also die Taufe von Kleinkindern ab Ihnen gehören ungefähr 20000 Menschen in 160 Gemeinden an

1 Brief des Paulus an die Korinther – Wikipedia ~ Als Autoren werden zu Beginn des Briefes Paulus von Tarsus und sein Begleiter Sosthenes angeführt 1 Kor 11 LUTIm weiteren Verlauf redet Paulus die Gemeinde dann aber durchwegs in der IchForm an beginnend mit 1 Kor 14 EU so dass Paulus als der eigentliche Verfasser des Briefes seiner Verfasserschaft gibt es unter Theologen keinen Zweifel

Kami – Wikipedia ~ Kami japanisch 神 bezeichnet in erster Linie im japanischen Shintō Shintoismus verehrte Geister oder Gö Japanischen kann der Begriff allerdings auch auf Gottheiten anderer Religionen bezogen werden Eine konkrete Übersetzung des Begriffs ins Deutsche ist schwierig Das Konzept kami kann u a auf Naturgeister Gespenster und die Seelen Verstorbener angewandt werden welche in

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Citroën C4 – Wikipedia ~ Modellpflege Nachdem seit dem Verkaufsstart im Herbst 2004 weltweit über 900000 Modelle des C4 verkauft worden waren stellte Citroën am 26

Zweiquellentheorie – Wikipedia ~ Die Zweiquellentheorie ist eine literarkritische Hypothese zur Frage der Entstehung der synoptischen kt der Zweiquellentheorie ist die Annahme dass die Evangelisten Matthäus und Lukas zwei Quellen verwendet haben nämlich das Markusevangelium und eine nicht erhaltene erschlossene Quelle die so genannte Logienquelle abgekürzt Q Neben diesen beiden Hauptquellen hätten

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Kingsman: The Secret Service 2015 filme kostenlos anschauen -720p-MPEG-2

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Bezeichnung	Kingsman: The Secret Service 2015
Dauer	173 winzig
Entlassung	2015-01-24
Güte	Dolby Digital 1080p DVD
Gattung	Crime, Comedy, Action, Adventure
Ausdrucksweise	English
castname	Demi B. Suchet, Jayne A. Tracy, Wenona X. Lamarre

Kingsman: The Secret Service 2015 Kingsman: The Secret Service ganzer film deutsch, Kingsman: The Secret Service online stream - Ganzer film, Kingsman: The Secret Service ganzer film online stream - Deutsch

One of the most interesting movies to watch. Humor, action and adventure well plotted into this great movie. The action is just great.
A nice surprise.

I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. Jackson.

An easy movie for a brainless evening.
The kinetic super-spy caper ‘Kingsman: The Secret Service’ will serve as a boisterous blueprint for those teen fanboys out there that will fancy an elaborate overload of James Bond-esque high-powered hedonism. It certainly does not hurt that the high-wire hysteria as showcased in the twitchy ‘Kingman’ is based upon the acclaimed comicbook series by Mark Millar and Dave Gibbons. Also, add into the mix the movie-making overdrive pedigree of director Matthew Vaughn (‘Kick-Ass’, ‘X-Men: First Class’) and slick, cheeky spy-spry send-ups that recall the over-the-top espionage genre and its exaggerated suspense-driven foundation. Well, ‘Kingsman: The Secret Service’ is a cockeyed, pulsating parody that works its ultra-violent magic for the Austin Powers crowd that wants to walk on the high-octane wild side of Bond’s universe.

Sure, ‘Kingsman: The Secret Service’ has its iffy moments where the blatant sexist overtones, magnified violent sequences and a generous bloody bounce of excess will have some stomping their feet in sheer indignation. The apparent knock on ‘Kingsman’ will be its robust ridiculousness and familiarity in Vaughn’s ‘Kick-Ass’ cartoonish vibe. However, the same elements that may cause some reservations with the film’s low-brow lunacy is also the same ingredients that trigger ‘Kingsman: The Secret Service’s carousing charm in majestic mayhem.

The grand gimmick behind behind kick-starting ‘Kingsman’s go-for-broke rollicking is casting the sophisticated presence of the Oscar-winning Colin Firth (‘The King’s Speech’) as dapper Harry Hart (aka ‘Galahad’), a polished and prominent superspy for a British secret intelligence society. Hart’s top-secret spy network is headed up by Arthur (Oscar-winner Michael Caine). The secretive operation is based out of a notable tailor’s shop known as Kingsman. Also worth noting is that all the secret service agents are named after the famed knights of King Arthur’s Round Table. Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet. It is all in a day’s work for the skilled, well-dressed licensed-to-kill operative.

Hart, who had been loyally connected to a fallen colleague from a past mission gone disastrous years before, decides to become a mentor for his late co-worker’s troubled son Gary ‘Eggsy’ Unwin (played by newcomer Taron Egerton) whose law-breaking conduct catches the attention of the police. Feeling a sense of responsibility for his deceased spy buddy’s wayward kid, Hart takes Eggsy under his wings and determines to shape the misguided youngster into resilient Kingman stock. After all, Eggsy has the needed physicality (we are told he is an exceptional gymnast) and roguish spunk to join the ranks of the seemingly understaffed spy outfit. Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin (Mark Strong) as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine (Samuel L. Jackson). The flashy Valentine, a billionaire gone bonkers, hopes to control the world’s climate change. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action. At the demented Valentine’s side is the deliciously disabled exotic henchwoman Gazelle (Sophia Boutella) with the treacherous knack for disarming her adversaries with blazing blades.

The bombastic and eye-pleasing ‘Kingsman: The Secret Service’ sets out to have one goal in mind: to highlight its thunderous homage to spygate spectacles that salute everything from the Agent 007 flicks and related free-wheeling 60’s fare such as the ‘Matt Helm’ and ‘Derek Flint’ spy franchises to the recent espionage vehicles that invite the millennium-based harried heroes such as the Jason Bournes and Jack Ryans of the world into the frenetic fold. It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp.

Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush. Wisely, Vaughn incorporates some of his ‘Kick-Ass’ colourful calisthenics to arm his playful spy yarn. As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb. Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. The 14 year-old males will draw their adventurous inspiration from Egerton’s junior spy Eggsy Unwin. Some may become nostalgic when uncovering the likes of spotting ‘Star Wars’ icon Mark Hamill as an imperiled climate changer scientist caught in the crazy clutches of Jackson’s diabolical antagonist.

Although not the most inventive take on ridiculing the spy genre with over-extended finesse and sensationalism, ‘Kingsman: The Secret Service’ is still a preferred jolting distraction at the beginning of an early stillborn movie season.

Kingman: The Secret Service (2015)

20th Century Fox

1 hr. 40 min.

Starring: Colin Firth, Taron Egerton, Michael Caine, Samuel L. Jackson, Mark Strong and Sophia Boutella

Directed by: Matthew Vaughn

MPAA Rating: R

Genre: Spy Thriller/Action & Adventure/Fantasy & Action
'Kingsman: The Secret Service' is a comedy film that satirises spy movies such as the James Bond franchise. Gary 'Eggsy' Unwin (played by Taron Egerton) is a normal working class 18 year old from London who gets recruited into a super secret spy organisation. Humour comes as he tries to mix with these posh and suave upper-class stereotypes.

Matthew Vaughn has included his typical ultra stylised violence ('Kick Ass') and it does boast a good sound track. There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better. The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd ('Free Bird') whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

'Kingsman' is going to appeal to the intended target age group as it does contain scenes of fantasy violence depicted as "cool" whilst characters swear. It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

★★½
If you like old-fashioned James Bond style movies you probably like this one. It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources. Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

The movie has all the “goodies” of a secret agent movie. British gentlemen agents, action, secret agent “stuff” like shops that are not what they look like, hidden entrances into secret bases, rooms that are actually elevators and of course gadgets, lots of gadget to help our heroes thwart the evil mastermind’s nefarious plans. Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie. That just felt like the producer/director was smoking some funny stuff when making those scenes. There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent 130 minutes as far as I am concerned.

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Star Wars: The Force Awakens 2015 filme kostenlos anschauen -1440p-M4V

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Buchtitel	Star Wars: The Force Awakens 2015
Dauer	129 Konzept
Freilassung	2015-12-15
Güte	DAT 1440p HDTS
Genre	Action, Adventure, Science Fiction, Fantasy
Ausdrucksweise	English
castname	Olaitan Q. Britton, Ancil L. Tayshia, Sergio G. Athul

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So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0

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Captain America: The Winter Soldier 2014 filme kostenlos anschauen -720p-FLV

Captain America: The Winter Soldier 2014 Ganzer Film Deutsch

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Captain America: The Winter Soldier-DAT-2014-online schauen-HDTS-DTS-DVDScr-stream-hd stream-online anschauen-kostenlos-AVCHD-ASF.jpg

Adelstitel	Captain America: The Winter Soldier 2014
Dauer	135 Memorandum
Verzicht	2014-03-20
Eigenschaft	AVCHD 1080p HDTV
Genre	Action, Adventure, Science Fiction
Sprachfähigkeit	English
castname	Maureen C. Gail, Millie Z. Jegors, Naveed V. Lordon

Captain America: The Winter Soldier 2014 Captain America: The Winter Soldier ganzer film deutsch, Captain America: The Winter Soldier online stream - Ganzer film, Captain America: The Winter Soldier ganzer film online stream - Deutsch

This movie is very good I loved it so much.
This is indeed a great piece of superhero entertainment. If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers. There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world. Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla. It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done. Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick (hey I am but an ordinary male, I like female actors in tight costumes) and a clear hero. None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life. Its 8 out of 10 rating at IMDb (at the time of writing this) is well deserved. I am astonished that some people seem to have voted it down with a one star rating. It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.
Put *a little* bit of brain in a superhero's movie script and you will have everybody talking wonders about it.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected.
The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Plus we get introduced to a new/old villain as well as some fun romantic tension between Steve Rogers (Captain America) and Natasha Romanoff (The Black Widow). (Scarlett Johansson is perfect in this role.)

But this film also has some minor irritations all stemming from Marvel's tendency to make _Captain America_ more complicated than it really needs to be.

MINOR SPOILER ALERT:
1. The love story/non-story. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor? Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless.

2. “The deception goes deeper than you can imagine. You can’t trust anybody.” It's this way every time so it should no longer be a surprise.

3. He’s dead but not really. Not him, the other him. Well…they both were dead – not really – but now they are both alive. But one of them can’t remember who he really is. In this film we get to do this with two characters instead of one. It’s not a huge distraction but why does Marvel keep returning to this plot line?

END OF MINOR SPOILER ALERT

The Winter Soldier is best when Rogers and Romanoff are on the move trying to put the pieces of the puzzle together. The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report. It’s a great summer flick with all the action you want.
Till the end of the road.

Stonking! Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks. It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon (and Nick Fury of course) keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man. In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about. Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art. There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable. A rich sequel indeed - more Captain America please. 9/10
**A long format review from 2014**

Misleadingly, the titular Winter Soldier is essentially a minor subplot in what is more of an espionage-technoir-thriller meets spectacle-epic than your typical super hero film. The real meat of the movie, thankfully, has some more substance behind it. Though it wouldn't surprise me if we learn later that Sebastian Stan's villain was forced to take a back seat via last minute script changes à la Hawkeye in _The Avengers_.

These things are of course a matter of opinion, and I'd like to watch _Winter Soldier_ at least once more (particularly in 2D... God do I ever hate 3D) before committing to any particular ranking. But even without that, I feel confident in saying it's the best MCU Phase 2 film to date. We must await _Guardians of The Galaxy_ and _Age of Ultron_ before cementing that little award, but I'd say that it stands at the very least above _Iron Man 3_ and _The Dark World_.

I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one. This makes talking about _Winter Soldier_ on its own merits difficult, but there are certainly a few things that can be said.

Chris Evans (Cap'), Scarlett Johansson (Black Widow) and to a slightly lesser extent. Anthonie Mackie (Falcon) rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Where _The Dark World_ was simply a holding pattern for Thor with some very pretty pictures, _Iron Man 3_ and _The Winter Soldier_ went out and took some actual risks in their stories. But unlike _Iron Man 3's_, Winter Soldier's risks have (to its eternal credit) been universally well received.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

As I said, I really feel I need to give _The Winter Soldier_ at the very least one more screening before I feel totally confident in my thoughts about it.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does.

86%

_-Gimly_
Captain America: The Winter Soldier opens up with an action sequence that's better than most action movie climaxes. It then sets up a really intriguing story before launching into one of the most suspenseful car chases since the Simpson/Bruckheimer 90s era. After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

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