Sabtu, 30 September 2017

How to Train Your Dragon 2 2014 filme kostenlos anschauen -1440p-DAT

How to Train Your Dragon 2 2014 Online Stream



How to Train Your Dragon 2"




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Überschrift

How to Train Your Dragon 2 2014

Geltungsdauer

157 sehr klein

Freisprechung

2014-06-09

Güte

FLV 1080p
BDRip

Gattung

Fantasy, Action, Adventure, Animation, Comedy, Family

Programmiersprache

English

castname

Lamisha
V.
Ismail, Kailyn F. Rotger, Damion K. Rahma









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If you loved the first How to Train Your Dragon, you'll absolutely love this movie. If you are a frequent user of Tumblr, you'll want to capture SO many moments in .gif format. If you've never seen the first movie, you'll still love this movie, or at least, like it.

Essentially, this movie is great. It has all that a child could desire in a film (trust me, the kids in the theatre LOVED it - it was super cute) and it also had some absolutely hilarious moments for the adults. The plot is pretty good; even if it is predictable, it's predictable in a way that works. The animation is gorgeous. The voicework is awesome. The way all of the characters have grown over the 5 year gap between the two movies in the series was really well done and evident, not just in appearance, but also in their personalities and interactions with each other.

In any case it was a lot of fun! Go watch it, even if you don't have kids.
Like I said a couple of year ago during 'Cloudy with a Chance of Meatballs 2' review, it's a terrible title for a sequel. The host, Neil Patrick also said the same thing during the 2015 Oscars. But in the digital world, slight change in the title makes random in order. I mean on the computer and web world, it won't show in order. Even sometime it might get lost in a vast number of other titles if they dare to chance the first word in the title for a sequel. Other than that they are not stupid as many people think. That's why they highlighted 'Dragon' boldly than the rest of the words.

This part two was not much different to its first. The story continues five years after Hiccup recovers from his injury. He and his pet, Toothless discovers a new land during the survey for the map. So their's adventure begins, but end in a trouble and forces all his people from the town to involve and fight against the rising evil force that tries to conquer them all.

Like I always say, those days are gone, now animated movies are for all ages. This was a very nicely and carefully written screenplay, did not fail to deliver. Very close to the impact the first movie made, but due to simplicity it stayed a couple of steps behind. Developed well with a bit of suspense, thrill and entertainment. Nothing more we could have asked, a perfect follow-up and hoping to explore beyond lot more in the upcoming movies in this series. Four years gap between the movies is a nice idea and fine breathing space for this franchise fan. A movie must be seen by animation fans, especially if you have already seen the first then don't miss it.

8/10
The first one was good and the second is not any worse.

This series is standing out of the pack for its complex plot involving several topics, not just the typical ones in an animated movie. Arguably, they have been also treated in former movies; two main characters which are crippled (Finding Nemo ...), greater involvement of strong female roles (although, still, not as main characters and utterly in need of help from the male roles), ecology, etc.

The points I dislike the most is the speech of homeland being the good "peacekeeper" nation forced to use violence to keep it (peace). Quite hypocritical but, clearly, addressed to the US audience.

The repetitive line of story about the (nerd) hero who is the only one to save the world is quite tiresome too.

Finally, how lightly some other traumatic causing topics are treated: finding that a parent abandoned their child, death, etc ...

In any case, this is a good movie, funny and with an interesting story. Worth watching for a franchise that, I think, doesn't have all the attention it should have.

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The Hobbit: An Unexpected Journey 2012 filme kostenlos anschauen -720p-MPG

The Hobbit: An Unexpected Journey 2012 Ganzer Film



The Hobbit: An Unexpected Journey"




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Rechtsanspruch

The Hobbit: An Unexpected Journey 2012

Geltungsdauer

156 kurzer Entwurf

Verzicht

2012-11-26

Eigenschaft

ASF 1080p
DVD

Gattung

Adventure, Fantasy, Action

Fachsprache

English

castname

Ruqiya
O.
Degas, Talya H. Shakye, Nathen Q. Borella









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Peter Jackson creates the same world that he already shown us in the LOTR, but that's not the only thing he repeats.

He also repeats ripping Tolkiens book into a sucession of endless races and actions scenes with orcs falling everywhere and several "inventions" that mess the beautiful story created by the English author.

He also repeats those several minutes of platform game inside caves that we saw in Moria and in his version of King Kong.

If you loved the previous movies from Jackson, you will love this too.

If you are looking for some quality, you will only finding in the re-creation of the Middle Earth and the peformances of Ian McKellen, Martin Freeman and Cate Blanchett.
An other great master peace has been added the the Lord of The Rings collection. This movie was an excellent example of how great actors, an amazing story and a beautiful world can be produced in such an excellent way. Peter Jackson has out done his self by creating this great film. There are differences from the book but I can't complain about any of them, yes I love the original story but this one is still one of the best. All in all a amazing movie.
Over a decade after a little-known director from New Zealand managed to con New Line Cinema into giving him $300 million to make a trilogy based on JRR Tolkien's seminal fantasy (and long considered unfilmable) work The Lord of the Rings, the cinematic landscape for fantasy has changed drastically. Much like Tolkien's tome, the Lord of the Rings films came to utterly define high fantasy in film, with even competing fantasy adaptations like The Chronicles of Narnia and Alice in Wonderland cribbing from Peter Jackon's critically-acclaimed, audience-adored multipart epic. Now Jackson has returned to the land that made him famous for a go-round with Tolkien's earlier work, The Hobbit.

Tolkien's The Hobbit is far more modest in scope than its enormous sequel, and geared for a younger audience. It introduced the world to Bilbo Baggins, a typically quiet hobbit who is coaxed into adventure by the grey wizard Gandalf, enlisted to aid thirteen dwarves in reclaiming their long-lost homeland.

Jackson had the unenviable task of following up on his blockbuster Academy Award-winning masterpiece, and initially passed off the directing responsibilities to fantasy master Guillermo del Toro. Difficulties securing the film rights led to delay after delay, and del Toro finally departed, leaving the original creative team the ability to step back into place and create a follow-up/lead-in with the same creative staff in front of and behind the camera. Jackson returned as director, co-writing with Fran Walsh and Phillipa Boyens (though del Toro retains a screenwriting credit), Andrew Lesnie as cinematographer, and Howard Shore as composer, along with all of the other stalwarts of the original trilogy.

The lone exception to that is the recasting of Martin Freeman as the titular hobbit, taking over for the aging Ian Holm. Holm appears in the film's framing sequence (a scene that takes place immediately prior to the beginning of The Fellowship of the Ring), along with that trilogy's star, Elijah Wood. But this time out, it's Freeman's show, and he's as charming, witty, and engaging as you could imagine. He also makes a perfect Young Ian Holm. The casting is truly inspired. Sir Ian McKellen returns as Gandalf (here playing his more impish grey incarnation, rather than the frankly humorless white version) and the heralded thespian manages to imbue his character with both immense power and gravitas, while still throwing in little flourishes that sell Gandalf as an imperfect man, rather than just an all-knowing power. Rounding out the third of this film's main characters, and an addition to this world, is Richard Armitage as Thorin Oakenshield, the leader of the motley crew of dwarves. Armitage likewise manages to imbue Thorin with both rage and honor, and is easily believable as someone who could lead these dwarves into life-threatening battle. The other twelve dwarves are something of a blur, but a few of them manage to make an impression, even with limited screen time. I imagine the two future installments of the series will afford them each the chance to shine.

Which brings up the most contentious point of this whole Hobbit affair: the fact that it's a three-part epic. The Hobbit, as written, is a comparatively slim tome of around 300 pages (compare that to The Lord of the Rings' combined 1,600). This installment alone is ten minutes shy of a whopping three hours. And as anyone who's seen The Return of the King can attest, Jackson can get rather indulgent at times (the end[s] of that film). Initially the film was going to be split in twain, then later divvied up into three parts. Tolkien, ever the completist, wrote volumes of backstories for this world, and Jackson decided to pull from them to bulk out these films.

I've seen a lot of hay being made about the film being bloated and, yes, indulgent. I'm an editor at heart, and am generally hyper-sensitive about cutting down to the bone. But the strangest thing happened on the way to the Lonely Mountain: I found myself simply rolling along with the shaggy-dog pace of the film. It's astonishing in hindsight. The film virtually redefines "taking the scenic route," but the crazy thing is I didn't mind it in the least. I believe it's because of the lowered stakes of The Hobbit. Every single frame of The Lord of the Rings was suffused with overbearing doom; that trilogy's "save the world" plot became as heavy a burden to bear as the ring hung around Frodo's neck. But The Hobbit is lighter, freer, funnier, and doesn't have the weight of the world on its shoulders. It's rather the difference between having an appointment you need to get to in heavy traffic and taking a weekend to just drive around, stopping when and where you like. This pace will likely have a dire impact on the film's rewatchability, but sitting in the theater for a midnight showing? Magic.

The structure of the film itself seems to have ADD. Its innumerable diversions began to remind me of a live-action Family Guy episode, with character or event mentions that suddenly cause the film to cut away to a dramatization of said. But again, and I can't stress enough how unexpected this was for me, I didn't mind in the least (with one exception: it appears to be an inviolable rule that any scene in Rivendell will stop a film dead in its tracks).

The craft of the film manages to best that of its predecessor trilogy: Howard Shore turns in one of his most stirring scores, the production design and art direction are again immersive and beautiful, and Andrew Lesnie continues his unique style of cinematography combining gorgeous shots (wonderful) with frequently blowing out highlights (distracting and ugly).

One complaint I do have is Jackon's newfound over-reliance on CGI. Azog the Defiler (a chief antagonist of the film) and the Goblin King (a bit of a lark) are the sorts of character that would have (and should have) been practical effects in the original trilogy. Here they're fully CGI, and their menace is undermined by it. Gollum returns for his most famous scene, and looks wonderful; Andy Serkis' performance and the CGI truly sell this pitiful creature. CGI can be pitiful but not threatening, it appears.

I don't know what the other two installments of The Hobbit have in store. What I do know is that this return to Middle-earth is off to a great start, and if this is any indication of things to come, I'll most assuredly enjoy the ride.

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Jumat, 29 September 2017

The Magnificent Seven 2016 filme kostenlos anschauen -720p-MPE

The Magnificent Seven 2016 Ganzer Film



The Magnificent Seven"




The Magnificent Seven-Bluray-2016-Sonics-DDP-HDTV-ganzer film-AVCHD-film-ganzer film-untertitel-ASF-italienisch-uncut.jpg




Titel

The Magnificent Seven 2016

Dauer

197 Besprechungsprotokoll

Ausgabe

2016-09-14

Beschaffenheit

AAF 1080p
WEBrip

Genre

Adventure, Action, Western

Ausdrucksweise

English

castname

Celeste
T.
Racim, Borys Y. Amritha, Ladd T. Jorge









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The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.

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Kamis, 28 September 2017

Kingsman: The Secret Service 2015 filme kostenlos anschauen -720p-MP4

Kingsman: The Secret Service 2015 Online Anschauen Kostenlos



Kingsman: The Secret Service"




Kingsman: The Secret Service-MPEG-2015-Blu-ray-englisch-stream-untertitel-Dolby Digital-WEBrip-BDRip-HDTS-blu ray-BDRip.jpg




Bezeichnung

Kingsman: The Secret Service 2015

Zeitdauer

158 Augenblick

Befreiung,Entbindung

2015-01-24

Güte

M1V 1440p
TVrip

Buchgattung

Crime, Comedy, Action, Adventure

Jargon

English

castname

Yoav
C.
Brooks, Aysha Z. Pointer, Rolle K. Moguy









Kingsman: The Secret Service 2015 Kingsman: The Secret Service ganzer film deutsch, Kingsman: The Secret Service online stream - Ganzer film, Kingsman: The Secret Service ganzer film online stream - Deutsch



One of the most interesting movies to watch. Humor, action and adventure well plotted into this great movie. The action is just great.
A nice surprise.

I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. Jackson.

An easy movie for a brainless evening.
The kinetic super-spy caper ‘Kingsman: The Secret Service’ will serve as a boisterous blueprint for those teen fanboys out there that will fancy an elaborate overload of James Bond-esque high-powered hedonism. It certainly does not hurt that the high-wire hysteria as showcased in the twitchy ‘Kingman’ is based upon the acclaimed comicbook series by Mark Millar and Dave Gibbons. Also, add into the mix the movie-making overdrive pedigree of director Matthew Vaughn (‘Kick-Ass’, ‘X-Men: First Class’) and slick, cheeky spy-spry send-ups that recall the over-the-top espionage genre and its exaggerated suspense-driven foundation. Well, ‘Kingsman: The Secret Service’ is a cockeyed, pulsating parody that works its ultra-violent magic for the Austin Powers crowd that wants to walk on the high-octane wild side of Bond’s universe.

Sure, ‘Kingsman: The Secret Service’ has its iffy moments where the blatant sexist overtones, magnified violent sequences and a generous bloody bounce of excess will have some stomping their feet in sheer indignation. The apparent knock on ‘Kingsman’ will be its robust ridiculousness and familiarity in Vaughn’s ‘Kick-Ass’ cartoonish vibe. However, the same elements that may cause some reservations with the film’s low-brow lunacy is also the same ingredients that trigger ‘Kingsman: The Secret Service’s carousing charm in majestic mayhem.

The grand gimmick behind behind kick-starting ‘Kingsman’s go-for-broke rollicking is casting the sophisticated presence of the Oscar-winning Colin Firth (‘The King’s Speech’) as dapper Harry Hart (aka ‘Galahad’), a polished and prominent superspy for a British secret intelligence society. Hart’s top-secret spy network is headed up by Arthur (Oscar-winner Michael Caine). The secretive operation is based out of a notable tailor’s shop known as Kingsman. Also worth noting is that all the secret service agents are named after the famed knights of King Arthur’s Round Table. Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet. It is all in a day’s work for the skilled, well-dressed licensed-to-kill operative.

Hart, who had been loyally connected to a fallen colleague from a past mission gone disastrous years before, decides to become a mentor for his late co-worker’s troubled son Gary ‘Eggsy’ Unwin (played by newcomer Taron Egerton) whose law-breaking conduct catches the attention of the police. Feeling a sense of responsibility for his deceased spy buddy’s wayward kid, Hart takes Eggsy under his wings and determines to shape the misguided youngster into resilient Kingman stock. After all, Eggsy has the needed physicality (we are told he is an exceptional gymnast) and roguish spunk to join the ranks of the seemingly understaffed spy outfit. Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin (Mark Strong) as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine (Samuel L. Jackson). The flashy Valentine, a billionaire gone bonkers, hopes to control the world’s climate change. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action. At the demented Valentine’s side is the deliciously disabled exotic henchwoman Gazelle (Sophia Boutella) with the treacherous knack for disarming her adversaries with blazing blades.

The bombastic and eye-pleasing ‘Kingsman: The Secret Service’ sets out to have one goal in mind: to highlight its thunderous homage to spygate spectacles that salute everything from the Agent 007 flicks and related free-wheeling 60’s fare such as the ‘Matt Helm’ and ‘Derek Flint’ spy franchises to the recent espionage vehicles that invite the millennium-based harried heroes such as the Jason Bournes and Jack Ryans of the world into the frenetic fold. It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp.

Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush. Wisely, Vaughn incorporates some of his ‘Kick-Ass’ colourful calisthenics to arm his playful spy yarn. As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb. Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. The 14 year-old males will draw their adventurous inspiration from Egerton’s junior spy Eggsy Unwin. Some may become nostalgic when uncovering the likes of spotting ‘Star Wars’ icon Mark Hamill as an imperiled climate changer scientist caught in the crazy clutches of Jackson’s diabolical antagonist.

Although not the most inventive take on ridiculing the spy genre with over-extended finesse and sensationalism, ‘Kingsman: The Secret Service’ is still a preferred jolting distraction at the beginning of an early stillborn movie season.

Kingman: The Secret Service (2015)

20th Century Fox

1 hr. 40 min.

Starring: Colin Firth, Taron Egerton, Michael Caine, Samuel L. Jackson, Mark Strong and Sophia Boutella

Directed by: Matthew Vaughn

MPAA Rating: R

Genre: Spy Thriller/Action & Adventure/Fantasy & Action
'Kingsman: The Secret Service' is a comedy film that satirises spy movies such as the James Bond franchise. Gary 'Eggsy' Unwin (played by Taron Egerton) is a normal working class 18 year old from London who gets recruited into a super secret spy organisation. Humour comes as he tries to mix with these posh and suave upper-class stereotypes.

Matthew Vaughn has included his typical ultra stylised violence ('Kick Ass') and it does boast a good sound track. There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better. The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd ('Free Bird') whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

'Kingsman' is going to appeal to the intended target age group as it does contain scenes of fantasy violence depicted as "cool" whilst characters swear. It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

★★½
If you like old-fashioned James Bond style movies you probably like this one. It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources. Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

The movie has all the “goodies” of a secret agent movie. British gentlemen agents, action, secret agent “stuff” like shops that are not what they look like, hidden entrances into secret bases, rooms that are actually elevators and of course gadgets, lots of gadget to help our heroes thwart the evil mastermind’s nefarious plans. Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie. That just felt like the producer/director was smoking some funny stuff when making those scenes. There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent 130 minutes as far as I am concerned.

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Wreck-It Ralph 2012 filme kostenlos anschauen -1080p-DTS

Wreck-It Ralph 2012 Online Anschauen Kostenlos



Wreck-It Ralph"




Wreck-It Ralph-online schauen-2012-M4V-englisch-stream hd-HDTS-WMV-DAT-1080p-stream hd-ganzer film-deutsch.jpg




Anrecht

Wreck-It Ralph 2012

Geltungsdauer

171 minuziös

Entlassung

2012-11-01

Qualität

WMV 720p
Blu-ray

Gattung

Family, Animation, Comedy, Adventure

Sprachfähigkeit

English

castname

Avenall
S.
Melisa, Pearce D. Aniesha, Blondel F. Shawana









Wreck-It Ralph 2012 Wreck-It Ralph ganzer film deutsch, Wreck-It Ralph online stream - Ganzer film, Wreck-It Ralph ganzer film online stream - Deutsch



Wreck-It Ralph is a great movie with my love for games in there with it. The movie had some great childhood memories of mine, with all the characters from the best games. The graphics are excellent and the voice acting couldn't be better. This movie is great for adults and kids.
Surely the thematic is great and it is funny to see old pals from several video games but Wreck-it Ralph lacks the hook of most of Disney movies.

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Hidden Figures 2016 filme kostenlos anschauen -720p-M1V

Hidden Figures 2016 Ganzer Film Deutsch



Hidden Figures"




Hidden Figures-HDTS-2016-MPEG-M1V-stream-DTS-FLA-MPEG-2-DAT-online schauen-hd stream-online stream.jpg




Rechtsanspruch

Hidden Figures 2016

Geltungsdauer

123 minutiös

Auslöse-

2016-12-10

Qualität

FLA 720p
DVDrip

Buchgattung

Drama, History

Programmiersprache

English

castname

Awesome
I.
Landon, Muriel Q. Zimal, Thaiba J. Honoré









Hidden Figures 2016 Hidden Figures ganzer film deutsch, Hidden Figures online stream - Ganzer film, Hidden Figures ganzer film online stream - Deutsch





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Rabu, 27 September 2017

Sing 2016 filme kostenlos anschauen -1440p-M1V

Sing 2016 Ganzer Film



Sing"




Sing-ganzer film-2016-DVDScr-Bluray-auf italienisch-MPG-MPEG-stream-DVDScr-AVCHD-1440p-TVrip.jpg




Adelstitel

Sing 2016

Zeitdauer

111 Besprechungsprotokoll

Kinostart

2016-11-23

Eigenschaft

ASF 720p
DVDrip

Genre

Animation, Comedy, Drama, Family, Music

Programmiersprache

English

castname

Cioran
O.
Emilee, Félicie N. Sharnee, Kadidia R. Celine









Sing 2016 Sing ganzer film deutsch, Sing online stream - Ganzer film, Sing ganzer film online stream - Deutsch



QUALITY

Featuring appealing covers of hit songs and an all-star cast, this cute animated comedy capitalizes on the craze for both talking-animal adventures and talent competitions. The movie may not have the substance of Inside Out or the overt messages of Zootopia, but, like Trolls, it's simple, with catchy pop music and jokes that are likely to make kids laugh. (Unlike Trolls, its take-aways aren't quite as thoroughly positive -- see below.) The musical numbers are by far the best part of the movie, including Jennifer Hudson-voiced renditions of "Golden Slumbers/Carry That Weight" to the piggy duet of "Shake It Off" (by Witherspoon and comedian Nick Kroll as a German boar called Gunter) to Kelly's show-stopping version of "Hallelujah."

The music is what makes Sing worth the price of admission, because, story- and theme-wise, there are a few missteps that keep it from greatness. Like, say, the depiction of Rosita's home life. She does everything for her 25 piglets, and her burnt-out husband (Nick Offerman) barely registers her. He's so checked out that he doesn't notice when she sets up a Rube-Goldberg contraption to keep the household working when she can't secure a babysitter to participate in the contest. And then there's poor Johnny, who desperately wants his criminal father's approval. A child wanting a parent to see them shine is wonderful, but did they have to make the father in question a bank robber? But if what you want is a bubbly diversion you''l find yourself singing along to after the credits roll, then Sing hits the spot. Just don't think about it too hard.
**Music is the key!**

It was one of the most watched trailer by me. Yeah, I liked the trailer and teaser, those beautiful songs and characters made me watch this film. Maybe because of that, I thought the trailers looked much better. I enjoyed the film, it had depth in characters than what I saw in the promotional videos. Though it is a simple story, and that worked so well.

Its neither Disney or Pixer, but awesome. The good thing is the others as well getting there with par. It got nominated for the Golden Globe, but missed out the Oscars. A film for all ages. The musical is very common in animation, especially from Disney. This was a little different, a music genre. And the characters are the very special to this film to clinch the success.

It could have been easily added to 'Zootopia' universe, since the two films are from different productions, that idea was ruled out. The selection of voice-over cast was excellent, particularly in the singing perspective. Recently Dwayne Johnson sang one for 'Moana'. I know the real life actors brought in for the marketing purpose, but anyway they all were so good.

I liked a couple of tracks, but most of them are not original. Even the theme song from 'Zootopia' by Shakira had a small part in it. So this film is surely suggestible for anyone to try at any time in any mood. It only cheers, definitely worth spending time for it. Now bring it on a sequel. As per the latest news, they have announced which is going to hit the screen in 2020. That looks too long, I need it even before that. Meanwhile, you guys enjoy it if you'ven't watched it yet.

_8/10_
Sing is about as good or bad as you would expect it to be. For me, it was a disposable yet entertaining flick where cartoon animals sing Glee-style renditions of popular songs to a plot that is pretty much American Idol meets The Muppets (2011). It follows the feel good, "can't we all just get along?" formula to a T.

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Singular – Wikipedia ~ Der Singular lateinisch numerus singularis ‚Einzahl‘ abgeleitet von singulus ‚einzeln‘ Abkürzungen Sing Sg ist ein anderer Ausdruck für ist der grundlegende häufigsten wird der Singular dazu benutzt einzelne Exemplare eines Lebewesens oder einer Sache zu bezeichnen die Pluralform bezeichnet in diesen Fällen zwei oder mehr Exemplare

SG – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Zuzwil SG – Wikipedia ~ SG ist das Kürzel für den Kanton St Gallen in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Zuzwil zu vermeiden

Buchs SG – Wikipedia ~ SG ist das Kürzel für den Kanton St Gallen in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Buchs zu vermeiden

Gorjunow SG43 – Wikipedia ~ Das Gorjunow SG43 Stankowy pulemjot konstrukzii Gorjunowa russisch Станковый пулемёт конструкции Горюнова kurz СГ43 ist ein Maschinengewehr das in der Sowjetunion während des Zweiten Weltkrieges entwickelt und eingesetzt wurde

Eichberg SG – Wikipedia ~ SG ist das Kürzel für den Kanton St Gallen in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Eichberg zu vermeiden

SG FlensburgHandewitt – Wikipedia ~ Die SG FlensburgHandewitt ist eine Spielgemeinschaft aus Flensburg TSB Flensburg und Handewitt Handewitter SV in SchleswigHolstein die seit 1990 aus den Handballabteilungen der Vereine Handewitter SV und TSB Flensburg besteht Die Bundesligamannschaft wurde 1996 in die SG FlensburgHandewitt HandballBundesliga GmbH Co KG ausgegliedert an deren KomplementärGmbH die SG Flensburg

Goldach SG – Wikipedia ~ SG ist das Kürzel für den Kanton St Gallen in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Goldach zu vermeiden

Wildhaus SG – Wikipedia ~ SG ist das Kürzel für den Kanton St Gallen in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Wildhaus zu vermeiden


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Triple 9 2016 filme kostenlos anschauen -1440p-AVCHD

Triple 9 2016 Mit Untertitel Stream



Triple 9"




Triple 9-SDDS-2016-720p-hd stream-MPEG-2-MPG-auf englisch-Bluray-kostenlos-MP4-FLA-MPEG.jpg




Buchtitel

Triple 9 2016

Dauer

155 Niederschrift

Auslöse-

2016-02-19

Beschaffenheit

Sonics-DDP 720p
HDTV

Genre

Action, Thriller, Mystery

Sprache

English

castname

Solaine
C.
Uriel, Haleigh Q. Bresson, Roco Q. Trenton









Triple 9 2016 Triple 9 ganzer film deutsch, Triple 9 online stream - Ganzer film, Triple 9 ganzer film online stream - Deutsch



> Combination of wrong path and untrustworthy troop.

This should have been the Holywood's bad boys film. I mean the big cast names are expected like the earlier films of QT, or especially like 'The Departed'. There were many who dropped out of it for various reasons prior to the production commence, although this cast did a great job. In my finding I blame for the screenplay. It was a good story, but the first half was not very interesting compared to the next half, which was so brilliant, especially towards the end, mind blowing.

It was a multi starrer film, only that's much I know, but I kind lazy to count how many were there because I thought it was a modernised and an improvised cop version of the 'Ten Little Indians' theme. There's no evidence to prove that, it is just my theory. But seeing all the deaths and the conclusion, I felt the inspiration to the writer might have been possible.

From the director of 'Lawless' who aimed for another success, but received backfire from critically and commercially. Mixed response from the audience though. Definitely it will find its own fans in the days and years to come. The ladies had scopeless roles, so they're completely forgettable their existence the narration, except very often just appear to show the faces. But well made crucial parts, in all the action sequences which kind what back the films along with Casey and Harrelson's parts.

Like there is a saying, 'slow start, but ended strong', this film belongs to the same category. If you hold your patience for nearly 2 hours long, in the end you might feel after all it was not a bad flick. So not recommended to everybody, at a same time not suggested to skip it without properly knowing about it. P.S, the closing credit song, the remix version of 'Pigs' by Cypress Hill was awesome considering the theme of the film, I mean the corrupted cops, but felt the words were strong.

6/10
An okay movie with some very impressive visual flourishes, but a narrative mess, and not up to par with Director Joh Hillcoat's prior work.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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Selasa, 26 September 2017

X-Men: Apocalypse 2016 filme kostenlos anschauen -720p-MPEG-1

X-Men: Apocalypse 2016 Online Anschauen Kostenlos



X-Men: Apocalypse"




X-Men: Apocalypse-untertitel-2016-ASF-DAT-film-mit untertitel-auf italienisch-kostenlos-online schauen-italienisch-untertitel-SDDS.jpg




Anrecht

X-Men: Apocalypse 2016

Dauer

151 Augenblick

Freisprechung

2016-05-18

Eigenschaft

M4V 1440p
BRRip

Genre

Action, Adventure, Science Fiction, Fantasy

Programmiersprache

English

castname

Mahdiya
O.
Jamison, Assia O. Katya, Suneet N. Qadeer









X-Men: Apocalypse 2016 X-Men: Apocalypse ganzer film deutsch, X-Men: Apocalypse online stream - Ganzer film, X-Men: Apocalypse ganzer film online stream - Deutsch



Not really a step forward in the X-Men franchise. Read my full review here.

http://www.hweird1reviews.com/allreviews/x-men-apocalypse-review
Though far from the worst _X-Men_ film, _Apocalypse_ was still a disappointment, because until this entry, every Bryan Singer _X-Men_ film had been excellent. _Apocalypse_ is a far cry from terrible, but it is underwhelming given Singer's history, as well as in and of itself.

Certain actors, who shall remain Jennifer Lawrence, were completely checked out in this instalment. The CGI was often so bad it was confronting, even in the climax of the film. Apocalypse's plan was plot-hole-y and underdeveloped, and not all of the new characters hit it out of the park.

There was still a lot to like here though. Some of the newer costumes were neat, and a lot of the side-plots had me very intrigued. Fassbender and McAvoy are excellent as always. It's certainly not a failure amongst the likes of, for example, _X-Men: The Last Stand_. Which was a good callout in _Apocalypse_. Another thing I enjoyed.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Another ancient power was awoken and blah blah blah.**

I have seen almost all the superhero films of the recent time, but this is the franchise I never liked. I'm sorry to say that, but that's the truth. The 'X-Men' series never made me sense, particularly to say it from the Marvel comics is a disappointment. When it comes to 'Wolverine', my opinion is different, because I loved those films. Hugh Jackman as Logan is the only 'X-Men' I love, so like usual this is another waste of time from its series to me.

I even enjoyed the recently rebooted 'Fantastic Four', but not this one. There's nothing new in the story, it's the same plot stolen from the different films. Like an ancient force is awoken who tries to rule the world by destroying everything created so far by the humans. So the mutants join hands to bring him down and we know what happens at the end. Apart from the vfx, this is very boring film and 150 minutes runtime was another lengthy joke that you never laugh.

Not just me, many people, even 'X-Men' fans showed displeasure over this film. That means, Bryan Singer's stint with the franchise is pretty much over. So they will going to bring a new one and that's another disappointment, because I don't know how long they're going to drag this series. End it already. Anyway, like I said I never was or will be this universe fan, so I don't care much, rather I just give them a try when they get released and obviously I'm to end in regret watching. Instead, I'm looking forward to the final 'Wolverine' film with Hugh Jackman.

_5/10_
X-Men Apocalypse is typical of what you would expect from a Marvel X-Men movie. Light on story and depth and heavy on special effects and action. In short it is exactly what I, as a Science Fiction and Fantasy geek, would expect as well as hope for.

The X-Men faces a new threat in the form of the worlds first mutant. Naturally said mutant is really a Übermutant vastly more powerful than any “normal” mutant. Equally naturally this Übermutant is set on a path of world destruction and domination. I quite liked this villain. He is a good all evil and powerful bad guy and a worthy adversary. No nonsense about trying to make the villain likable or trying to explain why he turned evil or such like. This guy is evil, he is the bad guy, he needs to be taken down…full stop.

As I wrote the story is not the most elaborate one around but it is a good one within the confines of a Marvel super hero movie. It gets the job done without being overly stupid or silly. It is set in the “prequel” universe created by X-Men First Class. The movie adds a few new X-Men to the ranks of Professor Xaviers team. Some of them thanks to the manipulations of Apocalypse although they start out on the bad side at first.

The movie moves along at a decent enough pace and, as was mentioned, there are quite a few action sequences and special effects thrown at the viewer throughout the movie. Personally I found the special effects to be quite good. Even stunning at times. I am quite a bit of a special effects nerd so of course this pleased me a lot.

The movies ending certainly opens the door to future X-Men movies and I for sure would like to see the franchise continue. I very much enjoyed these almost two and a half hours in front of my TV set.
*** This review may contain spoilers ***

After immensely enjoying the turn the X-Men franchise took after the disappointment of X-Men: The Last Stand, I was pretty excited to see this movie. I love comics, but I never got into the X-Men, so I can excuse some of the inaccuracies that seemed to upset hardcore fans. I just enjoyed the movies.

X-Men Apocalypse is the weakest film since duds like Last Stand and Wolverine Origins. It just didn't have a whole lot going on. One of the biggest critiques of Marvel (yes, I know X-Men films aren't produced by Marvel Studios, but I'm speaking of the publisher of the original medium) is that their villains are lackluster. The big baddie through the whole franchise has been Magneto, easily the most charismatic and entertaining Marvel villain on film. Though we've had brushes with Stryker and Trask and his sentinels, this is the first movie in which the X-Men had taken on a true super villain who wasn't Magneto-- Wolverine vs. The Silver Samurai aside.

But it's almost like director Bryan Singer painted himself into a corner with Apocalypse. The villain was too powerful and could have easily achieved his goals without the help of his "four horsemen." He could have ended the world, in mere minutes, all by himself. But, of course, that would make a boring movie, so Singer and Co. had to figure out what to do with the world's most powerful and dangerous mutant for two hours before the final climax was to begin.

There were scenes where the villains were literally sitting around the desert talking about how they were going to lay waste to a city on the horizon. There were scenes where the most powerful of the villains went out recruiting much less powerful villains to join him. Really, Singer just didn't know what to do with this character. How do you create conflict and drama when the bad guy is just too powerful? Well, you can't.

Of course, after two hours of watching the most powerful mutant ever talk about what he is going to do (instead of simply doing it) he finally unleashes his fury. Except that, the X- Men actually have the most powerful mutant in the world on their side in Jean Grey.

So, again, why is Jean not simply destroying Apocalypse in the first 10 minutes of the movie? Because, running time needs filler.

And that's basically what this movie is: Filler. They came up with a concept that would make the storytelling aspect problematic. And rather than tweaking the concept or fleshing out the story with subplots, they just assumed explosions and superhero fights would be enough to carry the film.
What a let down after Days of Future Past (the best X-Men movie ever, in my opinion). Bryan Singer has usually directed some of the best films of the franchise but this one is a real clunker. Too many characters with not enough development and a very lackluster villain. Oscar Isaac is a talented actor, but even he can't make Apocalypse interesting under all that silly blue make up. Characters like Angel and Psylocke, as Apocalypse's horsemen, are very thinly written and barely have a personality. Also, it is absolutely ridiculous that the villain Mystique is transformed into a role model and leader for the X-Men in this movie. Jennifer Lawrence looks bored throughout and barely appears as Mystique's true blue self even though she's supposed to be an out and proud mutant. A real disappointment.
***Ranks with the best in the X-Men franchise***

Released in 2016 and directed/co-written by Bryan Singer, "X-Men: Apocalypse" has the team go up against the first mutant, Apocalypse (Oscar Isaac), whose origins date back to ancient Egypt. After thousands of years in stasis, Apocalypse is immediately disillusioned by the state of the world and so recruits a team of worthy mutants, including a dispirited Magneto (Michael Fassbender), to purge humanity and craft a new world order over which he will reign. Professor X (James McAvoy), with the assistance of Raven (Jennifer Lawrence), leads a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. Josh Helman is on hand as Col. Stryker.

This sixth film in the franchise (not including the several spin off films) easily ranks as one of the best. It includes many of the best elements of the X-Men and everything I would want in a great X-Men flick:

Professor X's ongoing goal for an educational sanctuary for interesting mutants from all over the world; his love for Moira (Rose Byrne); Magneto's increasing mastery of his great powers and his struggle to go on the offensive against prejudiced humanity; a greater focus on Cyclops (Tye Sheridan) and his potent power, both of which were neglected in the original trilogy; an outstanding actress to play Jean Grey (Sophie Turner), who is far better than the bland Famke Janssen; Olivia Munn's ultra-hotness as Psylocke; a worthy subplot on Weapon X with the corresponding guest appearance of Wolverine (Hugh Jackman); an excellent collection of young mutants, like Storm (Alexandra Shipp), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), Angel (Ben Hardy), etc.; a worthy main villain in the mold of Dr. Doom and Thanatos; an epic, apocalyptic final act (sorry); I could go on and on.

This isn't to say the movie doesn't have faults, however; the cartoony overblown prologue in ancient Egypt is Exhibit A.

The film runs 144 minutes and was shot in Quebec, Canada (Greenfield Park, Montreal and Oka).

GRADE: A-
Plenty of action with good acting, however, Apocalypse (the villain) lacks originality. X-Men: Apocalypse is a mediocre film in the respected franchise that is "X-Men"

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